November 20, 2014 § 5 Comments
Describing a breakthrough he had while struggling with a landscape painting, 19th century American painter, Albert Pinkham Ryder wrote, “…the old scene presented itself…and before my eyes , framed in an opening between two trees. It stood out like a painted canvas…three solid masses of form and color: sky, foliage, and earth. The whole was bathed in an atmosphere of golden luminosity. I threw my brushes aside; they were too small for the work at hand. I squeezed out big chunks of pure, moist color, and taking my palette knife, I laid on blue, green, white, and brown in great sweeping strokes. As I worked, I saw that it was good and clean and strong. I saw nature springing into life upon my dead canvas! Exultantly I painted until the sun sank below the horizon. Then I raced around the fields like a colt let loose and literally bellowed for joy!” *
A gallery of color massings from the centuries:
February 18, 2014 § 10 Comments
“When you pick up one piece of dust, the entire world comes with it.” -Zen saying
A selection of still-life paintings, mostly contemporary.
“There are four elements that ultimately determine quality and meaning in painting. One, the color you choose and how much. Two, where you put it; three, in what manner. The fourth is outside you, and that is life.” -Larry Rivers.
March 22, 2013 § Leave a comment
Every decade or so an article appears in the press proclaiming the return of the figure in art, implying that it somehow “went away.” In fact, the figure as a subject for painting never went away, and never will until the human race itself disappears. In a symposium on drawing several years ago at Randolph-Macon Womans College (now Randolph College) in Lynchburg, Virginia, I heard Janet Fish say, “Isms come and isms go, and the realists just keep painting.” (Or something to that effect.) Her statement could, I think, be applied accurately to the state of figure painting. Whatever the current obsession of the so-called art world, artists just keep painting the figure. Below is an album of some of the most compelling figure artists working today.
January 18, 2011 § 1 Comment
“The day is coming when a single carrot, freshly observed, will set off a revolution.” – Cezanne
“With an apple I will astonish Paris.” – Cezanne
“Seeing is the initial act of valuing, and the nature and infinite potential of human beings to see and to aesthetically order the world is the one pure subject of art.” – Robert Irwin, “The Hidden Structures of Art,” 1993
Some inspirations to guide your studies:
Also, check out this page from painter Catherine Kehoe’s blog, Powers of Observation: