2 From Notes on Looking

September 22, 2012 § Leave a comment

Two recent articles from Notes on Looking, a blog that focuses on the contemporary art scene of Los Angeles.

“There is a freemasonry of painting among figurative painters – and I mean the term in the metaphoric sense of a secret club as well as the sense of a guild of highly developed craftsmen, for great skill is required to observe and render the body. And it is both, observation as well as drafting. Over a lifetime of close watching one learns how muscles move and pull and place our bones into postures, and the ways that our bodies and faces can reveal our thoughts; the long, slow, laborious practice of making marks to represent what one sees isn’t as direct as the same thing might be if one takes a photograph, the mark-making also conveys what one senses and feels. The hand is an interpreter, not a copyist…”  -Geoff Tuck

“A mirror lets me become an anthropologist of my own body. It is an almost transparent barrier between my faculties of perception and the thing I’m looking at. It is also a lie, a flattened out and distorted image of a live, fleshy, thinking and perceiving body. But it is a useful lie in that it allows me to look from a distance at something intimately familiar. I think that realism, both in art and in literature, works in a similar way. It pictures an alternate reality so life-like that we can’t help but see in it a reflection of our own condition…”   -Ariane Vielmetter

Philip Geiger

September 22, 2012 § 1 Comment

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